Monday, January 11, 2016

A True Fairy Tale







My blog posts are going to be something different the next five days. This is the week we are moving so time is short. I am going to post one of my published stories each day this week. When you read each one, ask yourself what makes this story publishable? 

Today's story is one that has been published more than once. It's about a friend of ours, who is now deceased. His story always seemed like a Fairy Tale that was real, thus the title. I gathered the information over many conversations around the dinner table with Joe and his wife. 

The picture above is Joe's castle. In his country, a castle is more like a grand manor estate rather than the castles we think of in the UK, for instance.  You can read another story about our visit to the castle here, or listen to me read it at this site, as well. 


A True Fairy Tale
By Nancy Julien Kopp

   
 Children have been enchanted by fairy tales penned by the Grimm brothers and Hans Christian Andersen for centuries. Aristocrats and castles, trolls and witches fill the pages eagerly turned by little hands. Good versus evil is often the theme, and suspense captures the reader’s attention. But can such stories really happen? Yes they can, for I am acquainted with a man who starred in a real-life fairy tale.

    
I know him as my friend, Joe. He retired after a long career as a professor in the college of Business at Kansas State University where all knew him as Joseph Barton-Dobenin, American citizen. But once upon a time, he was the Baron Joseph Barton-Dobenin of Zbraslav, Czechoslovakia.
   
Joe was the eldest of three sons. The three boys grew up in a castle surrounded by lush, park-like grounds. Their family owned a brewery that stood within sight of their home, as well as a great deal of property in and around Prague. Rumbles of possible war in Europe cast a shadow over Joe’s high school years. When his father died, Joe inherited the title of Baron, and responsibility weighed heavily on his shoulders. With his mother’s guiding hand, he carried on in his father’s place.
    
Before he could enter university, Hitler invaded Czechoslovakia, and German officers moved into the castle. The family worked in the fields each day along with the people of their village. Life was hard, but they managed to survive until the end of the war. Then, at
war’s end, Czechoslovakia ended up in the hands of Russia. With no choice, the people now lived under Communist rule. A baron could be no part of the communist life, so Joe landed in prison.
    
One of his brothers was sent to work in a uranium mine, and Joe’s mother and youngest brother moved to a tiny apartment in Prague when the castle was seized and turned into a national museum. The real estate and businesses the family owned were confiscated, too. They’d endured and survived the grim war years, but this proved even more forbidding. Hope disappeared like smoke from a chimney.
    
The Russians finally released Joe. He’d had plenty of time in prison to consider his options in this new world. He decided to leave his homeland and find a way to bring the family together again in a free country. His mother sewed the jewels she’d managed to save into his coat, and an escape plan emerged from long nights of talking. To this day, many of the details remain a secret. Joe hid in the men’s’ restroom at the big train station, away from the Russian soldiers who marched the halls. Despite a few frightening moments, the escape plan worked, and Joe made his way to France and then to Tunisia, where he toiled in the fields. He’d had plenty of agricultural experience during the war in his own fields.
    
A year later, his days were monotonous, and the future looked bleak. One night he thought about an American banker who had visited the castle in pre-war days. When the visitor left, he clapped Joe on the shoulder and said to look him up if he ever came to America. More and more Joe thought about the banker’s words, until he knew he must
set sail for the United States. He’d saved enough money for his passage to New York. Though he spoke several languages, he knew no English, but that did not deter him. His mother and brothers still lived in a communist controlled land, and his aim was to get them out, too.
    
He arrived in New York, a stranger in a land where he could not understand a word spoken to him. Was it luck or an angel who put him in the path of a woman who spoke German, a language he spoke fluently? She helped Joe make a phone call to the American banker he’d met years earlier. No doubt surprised to hear from Joe, the man instructed him to have the woman help him buy a train ticket to Nebraska.
    
The man operated properties taken over by his bank, and he put Joe to work managing these repossessed farms. It wasn’t long before Joe knew he would not earn enough to bring his family to America. A college education would help. He qualified as a displaced person so was able to enter the University of Nebraska at no cost. He earned both his undergraduate and master’s degrees in business, and he married a girl from Nebraska.
    
He started teaching in the Business Education department at Kansas State University, returned to Nebraska for his doctor’s degree and spent the remainder of his career at Kansas State.
    
During the many education years, he received word that his mother had passed away. He dared not return to his homeland for fear of being imprisoned again. How his heart ached at not being able to say good-bye to his strong and beautiful mother. He thought often of her portrait which adorned a wall in one of the dining rooms in the castle.
    
Joe told his wife, Elizabeth, that he would never return to Czechoslovakia until it was free again. By the time the Communist rule came to an end, Joe’s brothers and their families had immigrated to the United States, too, and Joe had retired. He and Elizabeth made plans to visit his home country. He’d related stories for so long about the castle and all the precious things in it, his family, and friends in his home village of Zbraslav. Now he would show it to her.
    
When they arrived in Prague, Joe’s heart nearly broke upon seeing the deterioration of the beautiful city he’d once known. Neglect was evident in the once-magnificent buildings, and the people walked with heads down, no smiles upon their faces. Pride had somehow been destroyed. What would he find when they visited the castle? He and Elizabeth secured transportation to the small village where he’d once lived so happily. The castle remained a museum for the forty-some years of Joe’s absence. When he climbed the steps and entered his old home, his heart beat faster, and he was both fearful and eager to see what it looked like inside. Nothing had changed. Every piece of furniture, every rug, every piece of porcelain remained. When he walked into the dining room, his feet could carry him no further. He faced his mother’s portrait, painted in the days when she ruled as Baroness. The tears he had not been able to shed at her funeral came in earnest as he gazed at the beautiful young woman wearing a froth of a dress.
    
Joe introduced his American wife to several old family friends. He learned that many of the valuable paintings the family had left with friends remained hidden by the villagers. Not all of them, however. Some were sold to keep families alive but others
remained stashed in attics. Joe discovered that the new government returned confiscated properties if ownership could be proven. Never dreaming he would have any of the family property again, he began the legal process to see if he might get some of the holdings back. As if by magic, he became the owner of a castle and real estate in downtown Prague. But he had no intention of moving back to the Czech Republic. He had given up being the Baron long before. He was an American now. He knew he must return to his homeland to oversee the many business details, and so their retirement years slipped into a new routine. Four times a year Joe and Elizabeth journeyed to the Czech Republic for three weeks at a time, and the rest of the year they spent in America.
    
But now Joe had a problem. What was he to do with the profits from these newfound businesses? He devised a plan which would help the youth in the Czech Republic and to also benefit the American university where he’d taught so many years. He started a scholarship program for Czech students to come to Kansas State University for one or two semesters. And come they did. After the first group completed their time, word spread around Prague like wildfire. Students at Czech Tech and Charles University learned that not only could you spend a wonderful year at an American university, but the man and his wife who made it possible also invited you to their home for dinner, became your American family. More students came each year, and now some of the Kansas State students have gone to Prague in a reverse exchange. The American students on the exchange program now see a revitalized Prague, a city that shines once again and people who have once again found pride in living there.

Each year, Joe told the young Czech students that they are the future of their country. “Study hard,” he said to each new group. “Go home and help the Czech Republic.” And they listened to this man who lost so much and then regained it almost fifty years later.
    
Fairy tales often end “…and they lived happily ever after.” I think Joe would agree that is the way his story ended, too.



Friday, January 8, 2016

Opening Paragraphs


Yesterday's post on titles led me to thinking that from the title the reader moves on to the Opening Paragraph. That group of words allows the reader to open the door and have a look at what is yet to come. 

Myriad writing how-to books emphasize the importance of hooking the reader with the opening paragraph. Writers nod their heads in agreement and then write a story or a chapter disregarding the advice. 

Some think setting the scene is of great importance so they use the first paragraph to do so. Setting the scene is certainly important but it does not have to be done immediately. 

Some think that an opening paragraph that tells everything there is to know about the character is a good way to hook the reader. It could end up being a report on physical description of a person and nothing else. 

Others use backstory immediately and then move into the real story later. That can be confusing and feel like you;'re reading two different stories once you move on to the present action. 

I've read books where authors open with a lengthy paragraph giving the reader their personal philosophy on some particular subject. To me, that is just plain boring. Get me interested in the story and later on, I'll definitely figure out the author's philosophical bits and pieces. 

All the things mentioned above can be woven throughout the story, or chapter, you're writing. Don't use them as your opening. Instead, use action to hook your reader. Raise questions in the reader's mind. Use only enough to get them interested without answering all the questions you want them to have. 

Add sensory details to the action paragraph to bring a sense of reality. Let the writer relate to the sounds, smells and sights whenever you can. 

There is no completely right or wrong way to open a story. It's the individual writer's choice, of course. Even so, I'm a strong proponent of using action immediately to hook your reader. 

I'm reminded, however, of Dicken's opening lines in A Tale of Two Cities. It was the best of times. It was the worst of times.  It was the age of wisdom. It was the age of foolishness. Action? No. Promotes interest? Yes. 


Thursday, January 7, 2016

Selecting A Title For Your Story




Over and over, I hear writers say something like This is a working title. I can't think of anything better. In my online critique group, I see multiple comments along the line of I don't like the title. Can you help find a better one? 

It seems that most writers have trouble when it comes to selecting a title for an article, story, essay or book they've spent hours working on. The title should be easy. Right? Not really. Everything you've put into the body of what you've written has to come through in your title in a mere smattering of words. 

It's a no- brainer that a good title hooks the reader. It also suggests a mood or tone.It can startle a browser into looking farther. The title sometimes asks a question that can only be answered by reading farther. Curiosity might be aroused by those few words that top the whole piece of writing. Some titles depend on attention-getting words. Right now, the word terrorist is probably going to make you stop and take a second look.

Some writers like to use alliteration for the name of their story. It works especially well with stories for kids. Maybe something like Bumpy Bear's Beautiful Bridge would make a child giggle and want to look into the book. It works with adult titles, too. How about Bill Brown's Bummer Beach Babe. Every word doesn't have to begin with the same letter, but several should. 

A title can also inform the browser that there is specific information to be gained here. Climate Change: Pros and Cons lets you know exactly what the topic is. 

If all else fails, a writer can lift a significant line of dialogue or a phrase from the text to top the story. Readers enjoy seeing that bit of dialogue or phrase when they reach it within the text. It's an Aha! moment. 

You can also promise the reader something via your title. Jane, The Time Traveler does that. The reader knows that the story is about a girl or woman who travels back in time (or ahead to the future). 

Is there any set rule to when you write the title? Definitely not. Write it when you think of it! It might be the very first words you put on the blank screen, or it could come to you halfway through the story. And even more likely is that the title is the very last thing you write and it could be long after the story itself is finished if you wrestle with finding the best one.

So, why do we struggle with titles? Mostly because we know how very important they are. It's your one chance to hook that browser that you want to draw in as a reader. 

Some writers come up with a title quickly and go with it. Others make lists of titles and eliminate them one by one. Of the two, I prefer the second method. If you hit on one and go with it right away, you might be missing out on a better title. 

As an exercise on selecting titles, go to your local library or bookstore and spend some time browsing through titles of books. Note the ones that speak to you. Consider why those titles caught your eye more than others. What appeals most--longer or shorter titles? 

For something that entails only a few words, titles are of great importance. Pick a good one! 

Wednesday, January 6, 2016

Get Those Holiday Stories Ready Now!









Looking at the images above, you probably think I've lost it. They're over. Right? Yes, all of the above holidays that occur in December are behind us but perhaps you remember a post last month that urged you to write your holiday stories while the mood was upon you. Review it here.

If you took my advice, you'll be smiling right now because I have a super good market for you. Chicken Soup for the Soul is going to be publishing a new Christmas book in 2016. This one will be called The Joy of Christmas. 

The good news is that the book will highlight all the December holidays:  Christmas, Hanukkah, Kwanza, Boxing Day and New Year's. The title of the newest Christmas book should give you an idea of what they are looking for. No Bah Humbug stories. Zero in on the word Joy. 

The Possible Book Topic page gave the following as suggestions for stories for this book. Read it carefully and read it more than once. Just doing so might trigger a possible story or remind you of one you've already written. And do not forget to read the Guidelines more than once, too. They are lengthy but well worth your time to familiarize yourself with what this anthology group wants and does not want. Read guidelines here. When you're ready to submit, use the Submission Form page.

Quoted from Chicken Soup For The Soul: We are now collecting stories for our next Holiday book that will be published in 2016. We are looking for stories about the entire December holiday season, including Christmas, Hanukkah, Kwanzaa, Boxing Day, and even New Year’s festivities too. Everyone has special memories and stories to tell about the Christmas season - from inspirational and joyous, to heartwarming and humorous. We want to hear about your special Christmas memories and traditions. From the decorations and the foods, to the music and the parties, and the shopping to the gift wrapping. How do you celebrate the special spirit of the season? How do you deal with the stress of getting it all done? What traditions have you carried on from when you were a child? Please share your special stories about the holiday season with us. Be sure that they are “Santa safe” so that we don’t spoil the magic for precocious readers! The deadline date for story and poems submissions is April 30, 2016.

Tuesday, January 5, 2016

Polish Your Writing With Proper Mechanics



Yesterday's post contained a list of things writers need to pay attention to to get the most appealing story they can for their readers. Today, let's zero in on just one point in that list. I stated:

    Proper mechanics of writing--people notice when it's poor

I have seen many writers, especially those relatively new to the field, who have great story-telling abilities but they seem to have either forgotten or never learned the basics of writing. Remember those--the boring stuff? Oh yeah, lots of you thought English grammar, punctuation and word usage was the most boring subject in the world. Well, perhaps it is for a good many people but it's also very important. Doing it right makes you a polished writer.

I must admit that I sometimes cringe when I read posts on facebook that are filled with bad grammar, abuse of tenses, miserable punctuation and more. I know what you're thinking--What does it matter? It's just someone making a comment on a post or posting their own news. Well people--I happen to think it does matter. If a child reads a book filled with poor mechanics of writing--and yes they are out there, they sometimes do get published--they will take it for granted that everything is just as it should be. 

How often did your parents or teachers urge you to set an example for others with your behavior? It's the same with the mechanics of writing. Set an example for others. 

Notice that the books pictured here are for grammar school kids. Yep, that's where we all first learned these building blocks of writing but a lot of people seem to forget all that once they grow up. 



So, what do you do if you need to brush up on your mechanics? You can't slip into a sixth grade classroom and soak up what the classroom teacher says. This time, you're on your own. There are books and online sites that can help. Use your favorite search engine to find. Purchase a book that you can refer to when you're not sure about a grammar question. Most of these books and online sites have exercises to re-enforce the lesson. Do them! Do them every time. We learn as children through repetition. Guess what? We learn through repetition as adults, too. 




Don't overlook the helps you have whenever you write a story, article or poem on your computer. They're sitting at the top waiting for you to make use of them. They aren't going to jump out and grab you. It's up to you to learn how to use them and then do it on a regular basis. On every post I write, I use spellcheck. I find typos more often than actual misspelled words but I sure am glad I find and correct before publishing the post. 

I've heard people claim that they never really learned all that 'stuff' in school. If not, that's too bad, but you can still learn now or brush up on what you absorbed all those years ago. 

Review the mechanics of writing. Pay attention to spelling, punctuation, tenses, and word usage. Work on being a polished writer if you want your work to shine when you send it to an editor.


Monday, January 4, 2016

Where Does Your Writing Rank On The Appeal Chart?



I was among the crowd that waited for the first episode of Downton Abbey in this sixth and final season. I left my husband in the living room watching the Packers vs Vikings game and curled up on our bed to watch.

I admit it. I got hooked on this British series when it first debuted. Why? For one thing, I love historical fiction. And Downton is certainly that. It began on the eve of the First World War and in this final year, we have moved all the way to 1925. We've watched the characters grow in age, experience and sometimes wisdom. We've watched the failures and the heartaches of the characters, as well.

People have enjoyed seeing the way the wealthy of that era lived and understanding the life that those in service led. It's been one of the most-watched, most-loved series the PBS station has offered its viewers.

Julian Fellowes wrote the script for Downton Abbey, and who better to do so than a man who lived among the British upper-classes and royals? He definitely knew his subject.

All this brings me to what appeals to a reader--or a film viewer in the case above? What makes the reader come back for more? What things must you include in your story writing to pull your reader in so deeply that they never want to leave your story?

A few things I think you must have to appeal to your reader:

  • Emotion without being overbearing or saccharin about it
  • Enough twists and turns to keep the reader turning the pages
  • Characters the reader can relate to in some way; likeable ones
  • Suspense and tension--not only in mysteries but in all stories
  • Settings that become a part of the story
  • A true sense of place
  • Success and failure for the characters
  • Surmountable problems
  • Descrption that does not take over the story but adds to it
  • Tell the story, don't just report what happened
  • Show more than you tell
  • Proper mechanics of writing--people notice when it's poor
  • Use of beautiful prose without being flowery; less is best here
There  are, of course, other things but the list above is a good checklist for anyone who writes fiction, whether historical, contemporary or sci-fi. 

Do you have other things to add to this list to make sure your writing rates high on the Appeal Chart? All comments are most welcome. 

Friday, January 1, 2016

Writer's Gold For New Year's Day

New Year's Day 2016


I love new beginnings! Opening a book to the first page gives me joy. Putting on a piece of clothing for the first time is pure pleasure. Visiting a place I've never been before excites me. The first day of a new year does much the same. 

If you're a person who keeps a journal, you'll open to page 1 today and, with pen poised, consider what you will write. A journal keeper should do a lot of free-writing. Let the words flow from your mind to the page without thinking or organizing. Let them come like drops of rain, one right after the other. You may be surprised at what appears on each page and perhaps inspired.

Today, consider the photo above. To the left are golden Christmas ornaments which reperesents the past year. Christmas was the great crescendo to 2015. Those ornaments stand for all you did in your writing world those past 365 days. You've most likely reflected on your accomplishments and your failures--oh yes, we all have plenty of failures along our wriitng path. You know what worked last year and what didn't. 

In the middle, we see a lovely gold pocketwatch of old which represents Time. Writers battle with time on a daily basis. How much of it do we devote to our writing and how much to the rest of our lives? Much depends on whether you write for a living or are a part-time or hobbyist writer. If we're not vigilant, Time can get away from us. That pretty little pocketwatch can start rolling downhill and gaining speed, leaving us far behind. Grab on and hold tight. Be the master of your time and you'll most likely have a more productive year. 

On the right side of the photo, we see a beautiful gold-wrapped gift box. That box reperesents all that is given to you this next year in your writing world. You're given the gift of friends who also write. They cheer you when you succeed and soothe your feathers when you don't. They understand what non-writers do not. You're given an easier method of finding markets than ever before. No more poring over market guides at a library table or having to purchase your own guide that is outdated as soon as it comes off the presses. Technology gives you up-to-date and easy-to-find markets. You're given a new beginning, given a time to set some goals, given a whole new year in which to ply your craft in the very best way you can. Open the box and savor the contents, then begin using the gifts inside.

Did you notice that each of the three items in the photo are golden? Gold has been man's treasure for centuries. Why shouldn't it represent what we value most in our writing world? It's the best! And so are you, the writer. Wishing you the golden touch in your writing in this next 366 days (yep, it's Leap Year!). 





A Memoir to Enjoy

  I recently read a book that I enjoyed so much that I wanted to share it with others.  Kenneth Goetz offers us his memoir titled A Streak o...