Saturday, August 31, 2024

Writers Need to Develop Determination

 


 

Mr. Turtle in today's photo has some determination, something all writers should own, as well. They should also master developing a tough hide like his. Two good qualifications among others that would benefit writers. Let's look at each one.

Wishy-washy writer or one that is determined? Which one do you think will be more successful? Which one are you? Or are you a writer who bounces back and forth between the two? A lot of writers fall into this latter category.

If you try a new writing project and give up when it doesn't mesh together nicely, you're not going to move very far on your writing journey. You'll start myriad new writing projects and probably finish very few of them. 

I thought about my daughter when she was a toddler learning to dress herself. I'd let her try for just so long and then try to help. She'd immediately say "No!" Then, she'd try again (and again) until she was successful. Determination was an inborn trait with her. She ended up using that trait all through her growing up years and into her career. 

Not everyone is fortunate enough to be born with the trait of determination. Some have to work at it and develop the trait over many years. It's worth working to achieve that status if you want to be a successful writer. Giving up is easy. Pushing on and continuing isn't. A lot depends on how much you want your writing world to be fruitful. 

If your newest writing projects are filled with bumps and potholes, it's discouraging. We can all admit that. The important part is how you handle it. Do you dump the whole project with the first couple of bumps, or do you put it away for a short while, give it some thought, and then work on it again? I hope it is the latter choice for you. 

I've used an example many times about the story of The Little Engine That Could. We all know the story of that train engine who kept repeating "I think I can! I think I can!" until he was able to pull the big engine. I think I can might be a good mantra to use when things aren't going well. 

Like the turtle, writers also need to have a tough hide. They need to learn to let the rejections bounce off that hide, rather than pierce straight through to the heart. Learning to accept both criticism from other writers or readers or editors, along with full rejections from publishers, is not easy. The first thing we should do is to remember that the criticism is not a personal attack against YOU. Sadly, many writers take it that way. The criticism, or rejection, is about what you have written. Let's face it. Not every story, article, poem, or essay is going to be a masterpiece. Especially not with the first, or even second draft. There will be some fine parts and other areas that need work. 

When someone gives you the exact spots that bothered them, feel happy that you know where you have to do some revision. It's so much better than an overall criticism where you don't even know where to begin to revise. If you put your writing up for critique in a group, you'll benefit a great deal. When more than one person picks out the same area that needs work, believe it. Then do something about it. A simple rejection from an editor will not always be sent with a reason. I appreciate the ones that do give me an inkling of why the piece didn't work for them. 

Work on not taking criticism personally. Think of it as something to help you improve on your craft and become better at it. 

Make an attempt to develop Mr. Turtle's Try and Stop Me attitude. You'll accelerate your writing journey that way.


 


Tuesday, August 27, 2024

Do You Have Trouble Writing?




If writing was so easy, wouldn't everyone give it a try? Possibly. Once in awhile, an idea comes to us for a story and it almost seems to write itself. Our fingers are on the keyboard but the words flow from who-knows-where? That does happen but not on an everyday basis.

Most of the time, we do struggle with what we write. It might be only one paragraph that gives trouble or one verse of a poem, but we want to get it right. One poor section can taint the entire piece.

How many times can you rewrite one paragraph? Until it feels right to you! Whether that's twice or twenty, redo it until you are comfortable with it. Is this why some novelists say their book took 4 years (or more) to write? Maybe that's part of the reason.

We've discussed revising and re-editing many times so maybe it means there is something vital about doing so. Beginning writers all too often finish a first draft and call it complete. It's a rare first draft that is ready for submission. Seasoned writers know that rewriting is key to publishing.  Even writers who can claim many publications have trouble writing in one respect or another.

I know a woman who writes wonderful prose, but she struggles mightily with finding a title that sings, one that draws readers. Another writes wonderful essays but fails when she gets to the final paragraph or two. A good essay deserves, and needs, a good ending. Same with a fiction piece. An exciting story must stay exciting right to the final punctuation mark in the last paragraph. others have difficulty with opening hooks.

Trouble writing? We all experience it. Some of us have learned how to overcome the problems of various kinds. We work hard to end up with a finished piece of writing that is publishable and also satisfies us, the writer. Writing is hard but those who love it soldier on no matter how many problems they experience.

If you have trouble writing, remember that you're in good company. The vast majority of us are right there with you. Writers never stop learning. When one part of writing gives you problems, it's time to read about that part of our craft. Read and learn. 

  


Friday, August 23, 2024

Writers-Give Your Best

 


"....what you give comes back to you." That's the last part of today's poster quote. Ponder on that for a bit. Then ask yourself some questions. 

A.  Do I write more than one draft? 

B.  Do I check facts and figures carefully, or make a good guess?

C.  When I edit and revise, do I replace many passive verbs with active ones?

D.  Do I put emotions into my writing, or skim the surface?

E.  Do I hurry through a writing project?

F.  Do I submit only my best work to an editor? 

G.  Do I use sensory details to help the reader experience more?

If you are 'giving your all, then you should have answered Yes to all but Letter E. That should be a resounding NO. Hurrying through any writing project is a recipe for disaster. An editor is going to pick your submission apart if you dash off a story and send it. The same is you answered No to any of the other questions above. 

Do your best. Has anyone ever said that to you? We shouldn't do our best on only a few writing projects. Instead, it should be the norm for every one of your writing projects. Put your heart and soul into what you write, and success will come more easily. Will this mean you'll have an acceptance for every submission? Probably not, but the odds that you do will certainly go up. 


Monday, August 19, 2024

A Fresh Start for Writers

 


Every writer has had times when a project runs into a brick wall. You're going along quite well, you think, then wham! You're stuck. How do I get this character out of this mess now? Or Why does this story seem to be going nowhere in a hurry? Or There's no heart in this essay, but I don't know how to fix it. Or This poem started out great and came to a big crash in the last verses. 

We are writers, not magicians. We encounter problems, and often, we want to walk away rather than figure out what to do to fix the problem. 

Our poster quote says "Don't start your day with the broken pieces of yesterday. Every day is a fresh start. Each day is a new beginning. Every morning we wake up is the first day of the rest of our life." It seems to fit problems writers have as mentioned above. 

This is one reason why so many books on the craft of writing tell us to put a project away when we run into trouble with what we're writing. We get so involved with what we're writing that we often don't see how to fix a problem area. Walk away and start over again tomorrow, or even days later. I can almost guarantee that you'll see what you'd already written in a new light. You might see a way out, or you could realize that you can find a new way to accomplish what had become so difficult only hours or days earlier. 

Sometimes, we have problems with what we're writing because we're tired or have something important on our mind. We're not giving the writing our full attention. When that happens, walk away, then go back in a day or two or three. 

Every day allows us to start over again rather than work with the broken pieces of yesterday. We can scrap yesterday's work, or we can try to change it, fix it, or resurrect it. I'd vote for the latter three things rather than get so disgusted you tear up yesterday's work and throw the pieces to the four winds. It's a new day, so you can try a new way. 

Tuesday, August 13, 2024

First Drafts Are Only the Beginning

 


I once knew a newbie writer who dashed off a short story and was thrilled to think she'd finished it. She knew that she'd better look it over for errors before she sent it flying into cyberspace to an editor. She was giddy over how easy the writing had been. When the story was returned with a rejection note, she was devastated. What in the world was wrong? It was a good story, she told herself.

Maybe if Nellie Newbie had studied a few books about the craft of writing, she'd have learned that the first writing is the first draft, and it holds a key word. That's FIRST, which indicates that there should be more to follow. 

Our quote today puts it in pretty plain language. "I'm writing a first draft and reminding myself that I'm simply shovelling sand into a box so that later I can build castles." 

An architect doesn't draw a house plan, then start building. No, he/she starts with one plan, then adds things, takes away other things, then redraws the plan. Maybe several times before the final one is ready. 

Writers do the same. When we write the first draft, we're getting the main ideas down, kind of telling ourselves the story. It's like the base for a tower of building blocks. Each draft thereafter can be considered one more block in the tower you're building. 

You might be thinking--Whoa! Did she just say 'each' draft? Good grief! How many must there be? That depends. You can write 2, 3, or more. You write until you feel satisfied that you've covered all bases and are ready to show your work to an editor. 

Things to consider when writing drafts:

A. Write the first draft, then put it away for a couple days, even longer. It will look different to you when you read it after letting it sit. You'll see things you didn't when you read it over immediately after writing it. 

B.  Give thought to structure. Are you happy with it, or do you perhaps see some places you'd like to change in the next draft?

C.  What about the mechanics? Are there spelling errors, punctuation changes needed? Active verbs needed to replace those nasty little passive ones? Is the dialogue clear? Are you showing every place you can rather than telling? Have you added enough sensory details to bring your readers into your story?

D.  What about emotion? Is there enough to speak to your readers? 

E.  What can be cut to make the story stronger? Or what might you add to do the same?

F.  Finally, read it aloud. You'll catch many small things that you don't see when you read silently. 

Good writers create more than one draft. How many is up to the writer. After each one, be sure to put it away for a few days; bring it back and see if it meets all your requirements, and if it pleases you? If it does, then you're ready to submit.

Thursday, August 8, 2024

Never Too Old To Start Writing

 


I've heard too many people say they've always wanted to give writing a try, but it's too late now. I totally disagree. I started writing in my fifties, even though the desire to write had been with me for many, many years. Sadly, I let LIFE get in the way. I put my DESIRE to write on the back burner while I pursued other parts of my life--college, teaching, marriage, raising children, and more. If I could do it all over again, I would MAKE time to pursue writing. 

A number of years ago, I interviewed several people who had been late to this game, just like me. They each had a story to tell, but the best part was that they each DID pursue learning to become a writer. It doesn't matter WHAT you would like to write--family stories, a memoir, a novel, short stories, personal essays, poetry--it's the desire to write that you can develop no matter what your AGE. The article is posted below. See if any of the stories of these older writers coincides with yours.

Is It Too Late?

"I'd love to write, but I'm too old now." Have you thought or said something like that aloud? Is it too late once you've passed through your forties? Can you learn a new craft later in life? Come along with me and meet several writers who took the first step when well into, or past, middle age.

Tragedy turned Kathe Campbell into a writer at the age of sixty-two. A wretched accident at her Montana ranch resulted in the loss of her right arm. Still in shock and feeling useless, Kathe held many a pity party. No one showed up but the Guest of Honor. Her son built a computer and urged her to practice using the keyboard with her left hand. Once a120 words a minute typist, she played with the keyboard a little, finding it difficult but challenging. Kathe says "If any old broad ever needed confidence during this settling and coping time of life, I did. I discovered several writing e-zines on the internet and unabashedly submitted the wrenching story of my loss at the age of 62. The entire effort served as mental and physical therapy, jolting me right back into allowing my thoughts to spill over pages once again." Only a few years earlier Kathe had written her first story detailing a journey through her mother's Alzheimer's Disease. Cosmopolitan magazine published it. She never wrote another until after her accident. Now, at seventy-two, she turns out story upon story bringing folksy humor and touching warmth to readers at several website e-zines. Chicken Soup For The Grandparent's Soul recently published one of Kathe's true-life tales.

Did Kathe Campbell start a writing career too late in life? She waited until she harbored a lifetime of experiences to draw from, until the goal of succeeding seemed less important than the fact that she enjoyed writing with every fiber of her being. In her own words, "Writing is such a lot of fun." Her accident became the catalyst for a part-time career she'd never considered in her younger years.

Hollywood portrays young men writing the great American novel in garrets, outdoor cafes, or even at a kitchen table. They sweat, they agonize, they labor long into the night until that magical first sale turns them into Pulitzer Prize winners in a flash. Oh, that it might be that easy. Have you ever seen a film that portrays someone over the age of forty-five writing their first story? They don’t fit the stereotype Hollywood has invented, do they? 

More than a few writers launch freelance careers in mid-life and beyond. Madge Walls, author of Hawaii Real Estate Exam Book, tried to write in her thirties but found the distractions of young children overwhelming. She shelved the writing itself but attended every workshop on the subject of writing that came to Maui where she lived. "I knew I would write seriously someday and wanted to absorb all I could while waiting to get the little distractions grown up" Madge says. She feels the older you are the more wisdom and experience you have accumulated. At sixty-one, she believes her writing to be much richer now than it might have been years earlier. Madge is currently working on a historical fiction novel and has completed another novel based on her experiences selling real estate in Hawaii 

A woman in her sixties, who prefers to remain anonymous, entered the writing world partly because of being a copious letter writer all her life. Letters filled with mini-stories were a medium of self-expression which, over the years, evolved into writing short stories and novels. She enrolled in a correspondence course to learn the basics, writing many articles and stories that never reached publication. Rather than give up, she signed up for several writing courses found on the internet. Many were excellent but left her searching for more. She needed feedback and interaction, which these courses did not offer. She wrote five adult novels, one for teens and two for middle-grade children. An online critique group became an eye-opener, teaching her more than all the previous period. Nearing seventy, she is an active person who still works to support herself but also writes four hours each day. Her positive attitude and consistent hard work aid this writer on her journey to publication.

Dick Dunlap creates stories that bring both laughter and an occasional tear to the reader. Dick says that anything he wrote in high school was overlooked because of poor spelling and bad handwriting. In spite of that, he won second prize in a Woman's Club essay contest in his teen years. It was the first time he received recognition for his writing, and the excitement was never forgotten. Dick avoided writing through the majority of his life, being ashamed of its appearance. When over sixty, he submitted a poem to a newspaper. A Writer's Guild member contacted him, and he took a big step by attending meetings. Soon, he bought a word processor and signed up for a writing course for Seniors. He created a fictitious family called "The Nevers", writing story upon story about the folks who make up this bumbling family. Dick says, "I like what I write. I laugh, I get a tear in my eye, I live my plots."

"Will the Boots and Saddles Club please come to order?" That was the first line of a novel Molly Samuels penned at the age of 8. Molly says, "That was so horrible, I put my writing skills to work elsewhere for the next forty-four years. I never lost that desire to write a book, even though it was one of those "someday" dreams. I'm fifty-eight now and have been seriously focused on writing for only four years." At fifty-two Molly came to a crossroads in her career. She realized that everything she enjoyed throughout her career related to writing, and a new door opened for her. She spends her free time turning out chapter upon chapter of a historical novel that has captured the interest of her online critique group.

Molly states her thoughts on writers who jump into the writing game at a later stage of life. "I really think we need to age a bit to get experiences, things to fill those wrinkles in our brain for our sub-consciences to ferret out, for our writing to glow. I don't think the first fifty-two years of my life were wasted, even though I never wrote anything more scintillating than a survey analysis."

A teacher's criticism douses the spark of creativity in many cases. Shirley Letcher had an interest in writing all through her high school years. A creative writing teacher criticized her work mercilessly, adding a massive dose of sarcasm. Shirley did not write again for more than twenty years when she returned to college to pursue a master's degree. Professors complimented her on weekly essays she submitted. It wasn't long before she was publishing articles and getting paid. She writes in her free time and finds it exhilarating.

Leela Devi Panikar operated a lucrative pub/restaurant business in Hong Kong. At the age of sixty-six, her life moved in a different direction. She found it necessary to bring her elderly wheelchair-bound mother to live with her. Leela's care-taking duties are time-consuming, but she is well aware that she needs something else in her life, too. In her precious spare time, she works on a novel set in Hong Kong.

I have a personal interest in the topic at hand. A desire to write occupied the recesses of my mind all through my growing-up years, college, career, and raising children. Too busy now I told myself, until, at the age of fifty-three, I landed in a small town that did not accept new people very readily. I was lonely and homesick for all we left behind when my husband made a job change. I plunged in head-first by enrolling in a correspondence course that promised to teach me how to write for children. I was hooked after Lesson One, and I've never looked back in the fourteen years since.

Middle-aged and older people who have never written before can learn the craft. Bumps and bruises await along the road to a writing career, but if desire is strong, and you practice patience and perseverance, satisfaction and success lie within reach. Draw from your wealth of experience to write that first story soon.

By Nancy Julien Kopp (C) 2006



Sunday, August 4, 2024

Book Review: The Spy Coast

 


Acclaimed author, Tess Gerritsen, has written another suspense thriller that kept me turning pages when I should have been doing other tasks. 

Maggie Bird is a retired CIA agent, living in a small seaside town in Maine. Four of her best friends, also agents who are retired live there, as well. In fact, they were the ones who suggested she make the move to a more quiet life. Maggie bought a small farm and is perfectly content raising chickens, being a good neighbor to an old man and his teen-aged granddaughter, and sharing dinner and drinks with her longtime friends, who call themselves The Martini Club. 

A young CIA agent is an unexpected visitor, asking Maggie to help her locate an agent she'd worked with years earlier, who has disappeared. Maggie wants no part of it and sends the agent away. Only to find her body dumped on the driveway a short time later. Now, Maggie knows her own life is in danger, and that she must face the difficult times from many years earlier. 

She shares her fears with the other four retired agents, who may be slowing down physically but are still mentally alert. They put their heads together in an attempt to sort out Maggie's problem

The town's acting police chief, Jo Thibodeau, is trying to solve the murder but getting little to no information from Maggie or the others in The Martini Club, despite her continued questioning of The Martini Club.

Maggie is forced to revisit her covert career as she hunts for answers. Once again, she must visit Bangkok, Istanbul, London and Malta, facing the ghosts of her past and searching for the truth of what occurred so many years before. 

It's easy to keep track of the story, despite the chapters jumping around with a few of the characters and flashbacks because of the clear, concise writing. Well worth a read. Find it at your favorite bookseller or library. Warning: the reserve list at most libraries will be lengthy. 

Thursday, August 1, 2024

Putting Yourself into Your Writing


 Our quote and painting for today really speaks to me. We often think of artists as painters, but all who create something, whether with paints, charcoal, pens and pencils, typewriters, computer keyboards, clay, or marble qualify as artists. Some quilts are works of art. Embroidery, crocheting, tatting--all are art forms.

But we writers should do exactly as Henry Ward Beecher, who was a clergyman and social reformer in the 19th century, said. We must look into our own soul and put ourselves into the words we write. That's a fine goal to set for yourself. If you can write doing those two things, you'll most likely be successful.

Hold back on putting our soul and self into our writing, and the writing will reflect that. It could turn out dull, wooden, uninteresting. As writers, we cannot hold back, we should put all we have into our writing. New writers are sometimes fearful of doing this. After all, you're baring your soul to the world through what you write. You might be putting yourself up for criticism. It's a hurdle to get over, but once you do, your writing will be much improved. 

One example is in memoir writing. Unless you look into your own soul and put something of yourself into your memoir, it will be nothing but a report. Dull, wooden, uninteresting. You'll need to open the gates and let yourself shine through what you write. 

The quote and painting today reminded me of a poem I wrote some years ago. It won third place in a theme contest. The theme was: Pen life as art. I've posted it below.

Artists All

Painting with oils,

watercolors brushed across paper,

clay molded by loving hands, 

marble chiseled to exquisite form.


Artists ply their trade

by the golden light of day,

by the velvet depths of night

passionately, joyously, ardently.


One more artist joins the ranks.

The writer brushes words over paper,

molds a story bit by glittering bit,

chisels a novel to survive the ages.


Life stories are gathered 

from country roads to city streets,

written from the depths of a heart

bursting with intensity and rapture.


Artists all, masters of creation,

be they painters, sculptors or writers,

leaving footprints on canvas, marble and paper--

heartfelt tributes embraced by mankind.

(C) 2007


Have You Found Your Writer's Voice?

  (A former post that still has good information for the writer) When I was a newbie writer, I asked a writer friend to look at a couple chi...