Barbara Elliott Carpenter |
Barbara Carpenter was a Guest Blogger several weeks ago. She has more to share with us today.
LOOK FOR THE CLUES
I
didn’t see it coming.
So
engrossed in what unfolded right before my eyes, I failed to see all the clues,
the foreshadowing, in the movie The Sixth
Sense. The writer did his part. As the movie ended, there were flashbacks
showing us exactly what we should have noticed, but did not.
I
watch for all those telltale signs now. The camera pans slowly across an
ancient rifle above a rugged mantelpiece. A character is deeply engrossed in a
book that is then carelessly tossed aside. It can be anything, but a careful
observer notices and allows the clue to sink into his subconscious mind.
It’s
the same with a book. I enjoy clever foreshadowing. Once I discover a writer who
uses it well, I tend to read everything written by him/her. Perhaps that’s the
main reason my book shelves (and bedside tables, dressers, counters and
corners) boast stacks of mysteries.
In
younger days, I devoured books by Daphne du Maurier. “Last night I dreamt I
went to Manderly again.” Her book, Rebecca,
will remain a classic. In my twenties when I read it, I subsequently found an
aged copy of it at a library “old books” sale. I gave twenty-five cents for it,
and it holds a place of honor among my favorites. I think I have read all of
her books, and I reread them. Superb writer and a great storyteller.
Robert
Ludlum is another example of a good mystery writer. When he died, I felt as if
I had lost a friend! The Bourne books
introduced me to Ludlum, but it was The
Road to Gondolfo that made me love him. I literally chortled through that
book! I can think of no better word to describe the half snort/half giggle that
burst from my lips as I read.
My
quest these days is to find a writer who can throw me completely off track. I
don’t want to know “whodunit” in the first two chapters. There are some
successful writers who tell us right away who is guilty. Some, such as Mary
Higgins Clark, are good at their craft; and we must struggle along with the
other characters to bring the guilty to justice.
I
prefer not to be told. I want to suspect the butler, the maid, the driver, the
gardener, the husband, the wife, right up to the end, when it turns out to be
the lawyer! Well, of course it was the lawyer! The subtle foreshadowing did not
register, which was delightful!
When
I decide to write a mystery, I use a simple question; What if? At times I’ll be
writing along so fast that my fingers cannot keep up with my thoughts; and that
question will stop me in my, well, computer keys. What if the good guy really isn’t? What if
the bad guy really isn’t? How can I throw the reader off without lying or
misrepresenting? It must be believable, not some far-out character who just
stumbles onto the scene on the last page.
Throw
out little tidbits, not beams. Show us mismatched earrings or a pillow out of
place, not a bloody knife. While I was working on the second Starlight book, I
could not decide which man would be the villain. I had several choices.
Eventually, he just kind of decided for me: a glint in his eyes, a subtle turn
of his upper lip, a nearly out-of-character solicitousness that didn’t seem
quite right. Although I could not quite put my finger on why, I knew who it was
going to be. It worked! Some readers were almost angry with me, but it was all
there for them to see; so they couldn’t really quarrel about it.
Give
the question a try next time you want to fool your readers, or yourself. What
if? You might be surprised how good your story’s ending will be.
Barbara Elliott Carpenter is an award winning writer whose
work has appeared in anthologies, magazines and books. Three novels comprise
her Starlight Series, and she has written and/or edited two memoirs. Without A Quarter In My Pocket and A Nickel Can of Pork and Beans.
Currently, she is a Co-Creator for the Special Occasion book in the new NOT
YOUR MOTHER’S BOOK anthology series, published by Ken and Dahlynn McKowen. She
is an avid reader, paints, quilts and gardens while still giving attention to
her husband, children and grandchildren.
Coincidentally, I've been thinking along these same lines. I've recently finished a mystery/thriller, which I thoroughly enjoyed, but the final resolution came in a bit of information only revealed near the ending. When I get the book back in my hands -- it's on loan to a friend -- I think I'll read it again to see if there were any possible clues that I missed.
ReplyDeleteThat may be, in truth, the way in which real crimes are solved -- the detective finally gets an anonymous tip that leads directly to the criminal, but don't traditionally-written mysteries have all sorts of clues, liberally sprinkled along the way?
You're right about reading for clues. I think writers often read with a different eye than non-writers, but all readers need those clues along the way, and not those totally obvious ones.
DeleteCoincidentally, I've been thinking along these same lines. I recently finished, and vastly enjoyed, a thriller/mystery in which the bit of information that solved the crime was revealed only in the final pages.
ReplyDeleteThat may be, in truth, the way most crimes get solved -- the detective receives an anonymous tip that leads directly to the criminal.
But aren't mysteries expected to have little clues sprinkled all along the way?
When I get it back -- it's loaned to a friend -- I'm going to read it again to see if I possibly missed some earlier clues.